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BOY/GIRL are photography duo Jason and Liz, whose ability to bring a concept to life is second to none, quietly concentrating on every aspect of the brief itself in order to create exceptional photographs and films. Their mastery of light, paired with their creative direction and flawless abilities within post production, mean that no matter how big or small the project, these two creative polymaths are able to elevate every concept, delivering the highest quality product whether on set or location.
The starlets who appear in their work are always at ease- a testament to BOY/GIRL's friendly and quietly focussed approach on set. This too, allows creativity to thrive within an environment where every part of the team is involved and valued.
Their client list includes;
Jurlique, Vogue Brazil, Harrods, Oil of Olay, French Glamour, Schon magazine
A new story shot by the Wolfpack (Mann, Toni Malt, Claire Carruthers & Keanoush Da Rosa) is out in the print issue of Vogue Arabia October. The multilayered styled story shot by Mann is done in the classic lighting mood with strong poses and postures by the model.
New film written & directed by Mann is another moving image that sets his style of fast cut edit. His quick cut edit style, that takes viewer away from the topic by keeping them locked in for the come back of a story is a joy. The short film produced by Savoir Flair for Chanel, presenting their Cameila jewelry collection, is set into an artistic moving image.
Marcus Askelöf, Fashion photographer based in Sweden is now part of the list at TBP. Marcus's work truly defines modern techniques, specially in his menswear work. His minimal aesthetic adds a new dimension to Things By People's artist list.
Adidas, C-Store, Clas Ohlsson, MLTV Clothing, NATTEN Sthlm, Omni Mag, Revs Magazine, Schott NYC, The Pink Prince Magazine are some of the brands that he is been shooting for.
Inspired by music, street culture, high fashion, and quaint dutch painters with their sensitive eye for detail, he enjoys storytelling through both his stills and moving images. If one could create the perfect illusion, would it then be accepted as part of what we call reality?